![]() You can use it to simulate the proximity effect and for adding chest resonance and “heft” to vocals. The VOG plug-in is designed to be great for mixing, mastering, post-production sweetening, sound design, and audio restoration. Everything below the targeted frequency peak is then rolled off in a smooth curve, up to 24 dB per octave designed to ensure a tight low end, whilst leaving the higher frequencies intact. The center of the sweepable frequency range is selected via two push buttons of 40 Hz and 100 Hz, or you can set the center to 200 Hz by pressing both buttons simultaneously. ![]() ![]() With just two knobs, you can dial in the VOG’s desired frequency and effect amplitude. When UAD produced the plugin version, users can now have as many instances as they need to make “the low end” come to life. Released as a 500 series module back in 2009, owners of the hardware VOG realized multiple units are a must-have - one for bass, kick drum, toms, low-frequency percussion, and especially vocals. Little Labs has a knack for creating problem-solving tools for the studio that perform equally well as creative ones. Russ takes a look at the UAD Little Labs Voice of God VOG and applications where it may just be the plug-in that saves the day.
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